

Power ON the cameras with the wifi remote.(unless you remove the battery overnight, then the settings will reset to default!) It is absolutely vital that each camera has the exact same settings.Ĭamera Settings for Best Resolution (with the PRO10HD Rig) From that point forward the cameras will remember those settings. The first time you setup the cameras, you will need to setup the default video recording settings for each camera by hand. This is rare, but can happen if the video frame is of a pure blue sky with no overlapping content to match up. It also allows me to understand exactly where a camera is within the rig, which can be helpful for when the automatic stitching doesn’t work. If a camera begins to act strangely then I can easily trace it back to the source. It’s important to number each of the cameras and the memory cards with a sharpie. So to remove the cameras you must use a small flathead screwdriver (included with 360Rize rig) to softly wedge the plastic tab up from its locked position. But this isn’t a complaint, it’s actually a good sign that everything is snug and won’t wobble during shooting. I could also remove 9 & 10 altogether and still capture 280° of footage.Īlso, removing the cameras from the rig is difficult due to the tightness of the plastic camera clamps. Interestingly, if a camera fails then I can trade it out for 9 or 10 and still not lose any essential zones. This leaves 1 camera pointing straight up and 2 pointing down at the tripod. Since I shoot for a dome, this can ease stitching pains later on since often the objects of interest are in these camera zones.
Autopano video 3 video resolution settings install#
I chose to permanently install the aluminium mount so that 7 of the GoPros are looking at the horizon.

But having the plastic rig locked onto a tripod helps. It’s a bit of a trick to get all the GoPro cameras installed without touching the lenses.

The 360Rize PRO10HD is a 3D printed object. So I have spent the last two months experimenting and learning directly about the intricacies of shooting 360° video.

In my opinion this makes for a heightened immersion experience. (Which translates to 4k domemaster resolution.) It also meant that I could increase the fisheye FOV from 180° to 220° and see the immediate ground surrounding the camera. And so I was captivated with the recent introduction of a 360° video camera rig with 8192×4096 resolution. I’ve long been excited of the possibility of 4k video in a planetarium dome.
